| Item type |
[ELS]紀要論文 / Departmental Bulletin Paper(1) |
| 公開日 |
2016-08-04 |
| タイトル |
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|
タイトル |
The Robber Bride にみるカナダ人のアイデンティティとフェミニズム |
| タイトル |
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|
タイトル |
Canadian Identity and Feminism in Margaret Atwood's The Robber Bride |
|
言語 |
en |
| 言語 |
|
|
言語 |
jpn |
| ID登録 |
|
|
ID登録 |
10.18998/00001097 |
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ID登録タイプ |
JaLC |
| 雑誌書誌ID |
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|
収録物識別子タイプ |
NCID |
|
収録物識別子 |
AN10460219 |
| 著者 |
薬師, 英子
YAKUSHI, Eiko
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| 著者所属(日) |
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|
駒沢女子大学人文学部 |
| 抄録(英) |
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内容記述タイプ |
Other |
|
内容記述 |
The following study examines Canadian identity and feminism in Margaret Atwood's The Robber Bride. In the novel the four main women characters undergo divided or multiple personality. They have all faced complicated childhood and have difficulty defining their identity. By confronting their worst enemy, Zenia, three women, Tony, Charis and Roz, find their true self. Their struggle to finding out their own identity represents the same predicament that many Canadians have for living in a country of multi culture. Their multiple personality also represents the struggle of women who fight for their survival in paternal society. The story also asserts the idea of feminism by referring the Grimm fairy-tale The Robber Bridegroom. The story reverses the role of male and female characters to evoke the difference of male and female idea in our society. I would like to look into the significance of the fairy-tale The Robber Bridegroom and how the context of the original fairy-tale is relative to Atwood's The Robber Bride. |
| 書誌情報 |
巻 17,
p. 299-308,
発行日 2010-12-24
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| 表示順 |
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内容記述タイプ |
Other |
|
内容記述 |
20 |
| アクセション番号 |
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内容記述タイプ |
Other |
|
内容記述 |
KJ00006848299 |
KJ00006848299.pdf (421.6 kB)
