| Item type |
[ELS]紀要論文 / Departmental Bulletin Paper(1) |
| 公開日 |
2016-08-04 |
| タイトル |
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|
タイトル |
初期ディジタルペイントプログラムの発想 |
| タイトル |
|
|
タイトル |
What is the New Paradigm of Early Digital Paint Program |
|
言語 |
en |
| 言語 |
|
|
言語 |
jpn |
| ID登録 |
|
|
ID登録 |
10.18998/00000946 |
|
ID登録タイプ |
JaLC |
| 雑誌書誌ID |
|
|
収録物識別子タイプ |
NCID |
|
収録物識別子 |
AN10460219 |
| 著者 |
森田, 和夫
MORITA, Kazuo
|
| 抄録(英) |
|
|
内容記述タイプ |
Other |
|
内容記述 |
Dr. Richard G. Shoup originated the SuperPaint Frame buffer System in the Computer Science Lab at the Xerox Palo Alto Research Center (PARC) in late 1972. At the epoch, there were very few artists were working with computers. So Dr. Richard G. Shoup had important concept for the program. It was about who will be going to use his program. The painting artist was the user who was not computer engineers of course. Dr. Richard G. Shoup should write the program that was similar in feeling for painting artists to use matiere that was used to. We could see marks of unique ideas for the painting artists to the AURORA DIGITAL VIDEO GRAPHICS SYSTEM AU/100 sold later it was sophisticated by the SuperPaint Frame buffer System, until finished the epoch. And then the AURORA was to sink into oblivion without going against fast-evolving common sense in the world. For this reason, I am sure writing down the concept to this paper is my job of leading importance and I am sure it has a special meaning. |
| 書誌情報 |
巻 9,
p. 235-241,
発行日 2002-12-24
|
| 表示順 |
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|
内容記述タイプ |
Other |
|
内容記述 |
20 |
| アクセション番号 |
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|
内容記述タイプ |
Other |
|
内容記述 |
KJ00004035283 |
KJ00004035283.pdf (366.8 kB)
